{"id":17402,"date":"2018-04-20T11:41:08","date_gmt":"2018-04-20T14:41:08","guid":{"rendered":"https:\/\/screamyell.com.br\/blog\/?p=17402"},"modified":"2018-04-20T12:01:25","modified_gmt":"2018-04-20T15:01:25","slug":"top-100-momentos-iconicos-da-cultura-pop","status":"publish","type":"post","link":"https:\/\/www.screamyell.com.br\/blog\/2018\/04\/20\/top-100-momentos-iconicos-da-cultura-pop\/","title":{"rendered":"Top 100 Momentos Ic\u00f4nicos da Cultura Pop"},"content":{"rendered":"

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Em 2005, a bacanuda revista inglesa Uncut saiu perguntando prum time invej\u00e1vel de “colaboradores” quais foram os momentos mais marcantes da cultura pop, aquele fragmento de segundo em que um objeto de cultura (um livro, um disco, um filme, um single, um programa de TV, etc…) mudou a sua vida, em particular, e revolucionou a cultura pop em geral. No “j\u00fari” selet\u00edssimo da revista est\u00e3o nomes como Patti Smith, Paul McCartney, Keith Richards, Ozzy Osbourne, Lemmy, Stephen Malkmus, Bj\u00f6rk, Michael Stipe, Noel Gallagher e muitos, muitos outros. Abaixo voc\u00ea confere a lista Top 100 que foi publicada em um especial de 50 p\u00e1ginas na revista em setembro de 2005, e quem escreveu sobre aquela obra.<\/p>\n

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1. \u201cLike a Rolling Stone\u201d (1965), de Bob Dylan, por Patti Smith
\n2. \u201cHeartbreak Hotel\u201d (1956), de Elvis Presley, por Paul McCartney
\n3. \u201cShe Loves You\u201d (1963), dos Beatles, por Ozzy Osbourne
\n4. \u201c(I Can\u2019t Get No) Satisfaction\u201d (1965), dos Rolling Stones, por Roger Daltrey
\n5. \u201cLaranja Mec\u00e2nica\u201d (1971), de Stanley Kubrick, por Malcolm McLaren
\n6. \u201cO Poderoso Chef\u00e3o I e II\u201d (1972\/1974), de Francis Coppola, por Steve Van Zandt
\n7. \u201cRise & Fall of Ziggy Stardust & the Spiders from Mars\u201d (1972), de David Bowie, por Robert Smith
\n8. \u201cTaxi Driver\u201d (1976), de Martin Scorsese, por Edwart Norton
\n9. \u201cNever Mind the Bollocks, Here\u2019s the\u2026\u201d (1977), dos Sex Pistols, pelos Buzzcooks
\n10. \u201cPrisoner\u201d [TV serie] (1967\/1968), por Donovan
\n11. \u201cMeu \u00d3dio Ser\u00e1 Tua Heran\u00e7a\u201d (1969), de Sam Peckinpah, por Michael Madsen
\n12. \u201cVelvet Underground and Nico\u201d (1967), por Michael Stipe
\n13. \u201cPurple Haze\u201d (1967\u201d, de Jimi Hendrix, por Lemmy
\n14. \u201cSimpsons [TV series]\u201d, por Matt Stone
\n15. \u201cAfter the Gold Rush\u201d (1970), de Neil Young, por Jim Jarmusch<\/p>\n

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16. \u201cRamones\u201d (1976), dos Ramones, pelo Sonic Youth
\n17. \u201cPet Sounds\u201d (1966), dos Beach Boys, por Jimmy Webb
\n18. \u201cMy Generation\u201d (1965), do The Who, por Bob Mould
\n19. \u201cOn the Road\u201d (1957), de Jack Kerouac, por Roddy Frame
\n20. \u201cUnknown Pleasures\u201d (1979), do Joy Division, por Paul Morley
\n21. \u201cWaterloo Sunset\u201d (1967), do Kinks, por Peter Buck
\n22. \u201cRaw Power\u201d (1973), de Iggy & the Stooges, por Josh Homme
\n23. \u201cTrans Europe Express\u201d (1977), do Kraftwerk, por Richard Kirk
\n24. \u201cClash\u201d (1977), do Clash, por Bo Diddley<\/a>
\n25. \u201cThis Charming Man\u201d (1983), dos Smiths, por Noel Gallagher<\/p>\n

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26. \u201cEasy Rider\u201d (1969), de Dennis Hopper, pelo New Order
\n27. \u201cJohnny B Goode\u201d (1957), de Chuck Berry, por Keith Richards
\n28. \u201cAlmo\u00e7o Nu\u201d (1959), de William Burroughs, por Lou Reed<\/a>
\n29. \u201cSpiral Scratch\u201d (1977), dos Buzzcocks, por Alex Kapranos
\n30. \u201cMusic from Big Pink\u201d (1968), da The Band, por Richard Thompson
\n31. \u201cEight Miles High\u201d (1966), do The Byrds, por Johnny Marr
\n32. \u201cTutti Frutti\u201d (1955), de Little Richard, por Al Green
\n33. \u201cBlue Monday\u201d (1983), do New Order, por Bernard Butler
\n34. \u201cUm Estranho no Ninho\u201d (1976), de Miles Forman, por Jesse Malin
\n35. \u201cGrievous Angel\u201d (1974), de Gram Parsons, por Bobby Gillespie<\/p>\n

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36. \u201cBorn to Run\u201d (1975), de Bruce Springsteen, por Badly Draw Boy
\n37. \u201cScarface\u201d (1983), de Brian de Palma, por Don Letts
\n38. \u201cFive Leaves Left\u201d (1969), de Nick Drake, por John Martyn
\n39. \u201cMedo e Del\u00edrio em Las Vegas\u201d (1971), de Hunter S. Thompson, por Ralph Steadman
\n40. \u201cMonty Python\u2019s Flying Circus [TV serie]\u201d (1969\/1974), por Lee Hazlewood
\n41. \u201cRoxy Music\u201d (1972), do Roxy Music, por Marc Almond
\n42. \u201cNew York Dolls\u201d (1973), do New York Dolls, por Billy Idol
\n43. \u201cBrass Eye\u201d [TV series] (1997\/2001), por Brian Eno
\n44. \u201cAstral Weeks\u201d (1968), de Van Morrison, por Kevin Rwoland
\n45. \u201cForever Changes\u201d (1967), do Love, por Robert Plant
\n46. \u201cManhattan\u201d (1979), de Woody Allen, por Gene Wilder
\n47. \u201cHorses\u201d (1975), de Patti Smith, por John Cale
\n48. \u201cWhat\u2019s Going On\u201d (1971), de Marvin Gaye, por Paul Weller
\n49. \u201cGhost Town\u201d (1981), dos Specials, por Damon Albarn
\n50. \u201c#1 Record\u201d (1972), do Big Star, por Mike Mills<\/p>\n

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51. \u201cMarquee Moon\u201d (1977), do Television, por Paul Haig
\n52. \u201cBlue\u201d (1971), de Joni Mitchell, por Crosby & Nash
\n53. \u201cCurb Your Enthusiasm [TV series]\u201d, por Doves
\n54. \u201cSurfer Rosa\u201d (1988), do Pixies, por J. Mascis
\n55. \u201cTakes a Nation of Millions to Hold Us Back\u201d (1988), do Public Enemy, por Beck
\n56. \u201cInnervisions\u201d (1973), de Stevie Wonder, por Josh Rouse
\n57. \u201cTrout Mask Replica\u201d (1969), do Captain Beefheart & His Magic Band, por Davey Henderson
\n58. \u201cPhysical Graffiti\u201d (1975), do Led Zeppelin, por Dave Grohl
\n59. \u201cJuventude Transviada\u201d (1955), de Nicolas Ray, por Andrew Loog Oldham
\n60. \u201cBo Diddley\u201d (1955), de Bo Diddley, por Mark E. Smith<\/p>\n

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61. \u201cI Say a Little Prayer\u201d (1968), de Aretha Franklin, por Rufus Wainwright
\n62. \u201cBe My Baby\u201d (1963), das Ronnetes, por Brian Wilson
\n63. \u201cCatch a Fire\u201d (1973), de Bob Marley the Wailers, por Suggs
\n64. \u201cRastros de \u00d3dio\u201d (1956), de John Ford, por Chris Hillman
\n65. \u201cElectric Warrior\u201d (1971), do T.Rex, por Luke Haines
\n66. \u201cNevermind\u201d (1991), do Nirvana, por Gus Van Sant
\n67. \u201cShot by Both Sides\u201d (1978), do Magazine, por Jarvis Cocker
\n68. \u201cI Feel Love\u201d (1977), de Donna Summer, por Sparks
\n69. \u201cPiper at the Gates of Dawn\u201d (1967), do Pink Floyd, por Carl Barat
\n70. \u201cTracks of My Tears\u201d(1969), de Smokey Robinson & the Miracles, por Colin Blundstone
\n71. \u201cWhole Lotta Shakin\u2019 Goin\u2019 On\u201d (1971) de Jerry Lee Lewis, por Moby
\n72. \u201cDoors\u201d (1967), do Doors, por Grace Slick
\n73. \u201cLive at the Apollo\u201d (1963), de James Brown, por Hall & Oates
\n74. \u201cPsicose\u201d (1960), de Alfred Hitchcock, por Alice Cooper
\n75. \u201cReach Out (I\u2019ll Be There)\u201d (1966), dos Four Tops, por Wayne Kramer<\/p>\n

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76. \u201cMetal Box\u201d (1979), do Public Image Ltd, por Wayne Coyne
\n77. \u201cDaydream Nation\u201d, do Sonic Youth, por Stephen Malkmus
\n78. \u201cA Change is Gonna Come\u201d (1964), de Sam Cooke, por Kurt Wagner
\n79. \u201cRelax\u201d (1983), do Frankie Goes to Hollywood\u201d, por Kevin Godley
\n80. \u201cMidnight Cowboy\u201d (1969), de John Schlesinger, por Norman Blake
\n81. \u201cOff the Wall\u201d (1979), de Michael Jackson, por Adam Ant
\n82. \u201cFalling & Laughing\u201d (1980), do Orange Juice, por Stuart Murdoch
\n83. \u201cGood, the Bad & the Ugly\u201d (1966), de Sergio Leone, por Robert Rodriguez
\n84. \u201cKick Out the Jams\u201d (1969), do MC5, por Juliette Lewis
\n85. \u201cHurt\u201d (2003), de Johnny Cash, por Trent Reznor
\n86. \u201cClube da Luta\u201d (1999), de David Fincher, por Frank Black<\/p>\n

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87. \u201cMurmur\u201d (1983), do R.E.M., por Guy Garvey
\n88. \u201cSopranos\u201d [TV series], por Ian McCulloch
\n89. \u201cCatch 22\u201d (1961), de Joseph Heller, por Noddy Holder
\n90. \u201cBullitt\u201d (1968), de Peter Yates, por Todd Rundgren
\n91. \u201cStone Roses\u201d (1989), dos Stone Roses, por Saint Etienne
\n92. \u201cFear of Music\u201d (1979), dos Talking Heads, por Steve Harley
\n93. \u201cThere\u2019s a Riot Goin\u2019 On\u201d, de Sly & the Family Stone, por Tim Burgess
\n94. \u201cGood Times\u201d (1979), do Chic, por Martin Fry
\n95. \u201cRumours\u201d (1977), do Fleetwood Mac, por Magic Numbers
\n96. \u201cImperial Bedroom\u201d (1982), de Elvis Costello & the Attractions, por Robert Downey Jr.
\n97. \u201cScreamadelica\u201d (1991), do Primal Scream, por Serge Pizzorno
\n98. \u201cSulk\u201d (1982), do Associates, por Bjork
\n99. \u201cOpera\u00e7\u00e3o Drag\u00e3o\u201d (1973), de Robert Chouse, por Jean Jacques Burnel
\n100. \u201cSoft Bulletin” (1999), dos Flaming Lips, por Chirs Martin<\/p>\n

\"\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Em 2005, a bacanuda revista inglesa Uncut saiu perguntando prum time invej\u00e1vel de “colaboradores” quais foram os momentos mais marcantes da cultura pop, aquele fragmento de segundo em que um objeto de cultura (um livro, um disco, um filme, um single, um programa de TV, etc…) mudou a sua vida, em particular, e revolucionou a […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[4,5,3],"tags":[],"_links":{"self":[{"href":"https:\/\/www.screamyell.com.br\/blog\/wp-json\/wp\/v2\/posts\/17402"}],"collection":[{"href":"https:\/\/www.screamyell.com.br\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.screamyell.com.br\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.screamyell.com.br\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.screamyell.com.br\/blog\/wp-json\/wp\/v2\/comments?post=17402"}],"version-history":[{"count":2,"href":"https:\/\/www.screamyell.com.br\/blog\/wp-json\/wp\/v2\/posts\/17402\/revisions"}],"predecessor-version":[{"id":17418,"href":"https:\/\/www.screamyell.com.br\/blog\/wp-json\/wp\/v2\/posts\/17402\/revisions\/17418"}],"wp:attachment":[{"href":"https:\/\/www.screamyell.com.br\/blog\/wp-json\/wp\/v2\/media?parent=17402"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.screamyell.com.br\/blog\/wp-json\/wp\/v2\/categories?post=17402"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.screamyell.com.br\/blog\/wp-json\/wp\/v2\/tags?post=17402"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}